HV 016.jpg
       
     
red sticks.jpg
       
     
home-2.1 003.jpg
       
     
kids.jpg
       
     
home-01 012.jpg
       
     
waterfall.jpg
       
     
hostile valley 002.jpg
       
     
HV 010.jpg
       
     
hostile valley 012.jpg
       
     
home-02 026.jpg
       
     
hostile valley 011.jpg
       
     
HV-break 034.jpg
       
     
Hostile V 015.jpg
       
     
Crit-3 004.jpg
       
     
HV-break 039.jpg
       
     
       
     
ash.jpg
       
     
Home-3 004.jpg
       
     
HV-1 003.jpg
       
     
HV 22.jpg
       
     
road flare.jpg
       
     
HV-1 022-1.jpg
       
     
Red Ian.jpg
       
     
 Growing up in a town that peaked in population and wealth over a century ago, I heard stories of brothers setting each other on fire, of teens buried alive for fun, and of inexplicable events occurring in the surrounding forests. These happenings ca
       
     
HV 016.jpg
       
     
red sticks.jpg
       
     
home-2.1 003.jpg
       
     
kids.jpg
       
     
home-01 012.jpg
       
     
waterfall.jpg
       
     
hostile valley 002.jpg
       
     
HV 010.jpg
       
     
hostile valley 012.jpg
       
     
home-02 026.jpg
       
     
hostile valley 011.jpg
       
     
HV-break 034.jpg
       
     
Hostile V 015.jpg
       
     
Crit-3 004.jpg
       
     
HV-break 039.jpg
       
     
       
     
ash.jpg
       
     
Home-3 004.jpg
       
     
HV-1 003.jpg
       
     
HV 22.jpg
       
     
road flare.jpg
       
     
HV-1 022-1.jpg
       
     
Red Ian.jpg
       
     
 Growing up in a town that peaked in population and wealth over a century ago, I heard stories of brothers setting each other on fire, of teens buried alive for fun, and of inexplicable events occurring in the surrounding forests. These happenings ca
       
     

Growing up in a town that peaked in population and wealth over a century ago, I heard stories of brothers setting each other on fire, of teens buried alive for fun, and of inexplicable events occurring in the surrounding forests. These happenings can still be felt in this place, the accumulated energies swirling through everyone and everything. Hazy recollections of these narratives now serve as inspiration for my photographs. I photograph my family, friends, and strangers and create optical and pyrotechnic phenomena which serves to create a palpable low hum of menace and disquiet emanating from the land and population. Through the images, I suggest a disorienting place with a damaged landscape and humans who are possibly toxic. Many of the materials I use are manufactured as international signs of distress. I have sent several dozens of these signals into the night. No one has ever shown up.